![]() ![]() Remember that there's always a price to pay for noise reduction. I'm with Walter above: there's always a danger in adding too much noise reduction, where you wind up with a very "plasticky" image lacking in detail, sucking the life out of the image. ![]() I think this is a bad idea, because (generally) the first node directly from the source will either be a Log image, or it'll at least lack the contrast added by the rest of the grade. For luminance, I set up to 50 if needed though anywhere above that leads to the noise looking like water flowing, a weird artifact. For temporal I set chroma to 25 for less chroma noise and 40 when more chroma noise is present. After, I change the frames to 3, the motion estimation type to better, and the motion range based on the scene. I use high denoise values because sometimes I shoot in crazy high ISOs on my Panasonic S5 (204800 in a dark forest.)Īlexrocks1253 wrote:When doing noise reduction, I set it to the first node. I keep to a one node process and I do know some do a complex tree just for NR but I do not have time for that.ĭo you all find better better than enhanced sometimes, or am I going crazy?Īlso, have any of you come across the flowing water side effect of temporal NR? I find it very strange and sometimes more distracting than the noise. If I don't get the desired result, I start adjusting these values over the starting 1/2 temporal point until I get a good mix between detail and noise to avoid the image looking like a wax mess. Faster looks awful and smears the image like no tomorrow. I set the mode to Enhanced usually, though sometimes better looks better despite using more processing power. For luminance, I set up to 50 if needed though anywhere above that leads to the noise looking like water flowing, a weird artifact.įor spatial NR, I set radius to large always and the luma and chroma to 1/2 the temporal value. ![]() ![]() When doing noise reduction, I set it to the first node. ![]()
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